Season 46

Virginian Pilot | ‘Dracula, A Feminist Revenge Fantasy, Really’ sticks it to The Man

Virginian Pilot | ‘Dracula, A Feminist Revenge Fantasy, Really’ sticks it to The Man

Playwright Kate Hamill (well-aided and abetted by director Melissa Mowry) has taken lucrative liberties with Stoker’s “Dracula,” just as she has with other out-of-copyright classics such as Jane Austen’s “Sense and Sensibility,” “Pride and Prejudice” and “Emma.” Besides gender and nationality-switching key characters such as Van Helsing, Hamill has openly attacked paternalism on all fronts. This VSC production features, for example, an “all-female” creative team (with one nonbinary person, as Mowry specifies). In her playbill notes, Mowry calls this production “a labor of love and rage,” the rage directed against the degradation of women by men legally empowered to suck their life’s blood from them.

DRACULA Partners with "Paint Pink"

We are thrilled to announce that the Virginia Stage Company contributed $1,000 to Paint Pink during the October 18th performance of Dracula: A Feminist Revenge Fantasy, Really. This generous donation not only highlights the company’s commitment to supporting vital causes but also honors the incredible work of Paint Pink’s founder, Kim Keene.

Paint Pink is dedicated to raising awareness about breast cancer and empowering those affected by the disease. The funds raised will help support initiatives that provide education, resources, and support to individuals and families navigating the challenges of breast cancer.

The intersection of art and activism is beautifully embodied in this collaboration. As audiences gathered to enjoy a thought-provoking performance, they were also reminded of the power of community and the impact of giving back. This production celebrates women and shines light on challenges that they face. Supporting Paint Pink is the perfect complement to that.

We are grateful to our audiences and supporters for making this important contribution possible. Together, we can continue to foster awareness and create change, one performance at a time. Let’s keep the momentum going!

VEER | Women Drive Stake Through Heart of Patriarchal Dracula

VEER | Women Drive Stake Through Heart of Patriarchal Dracula

"What does it mean to have Dracula: A Feminist Revenge Fantasy, really told from the perspective of a woman of color," says Melissa. ...That eventually opened up the world of the play to her. "This play was written during the #MeToo movement, and the Harvey Weinstein trial," she later adds. "Unfortunately, I think the world is meeting the play, where it sort of starts."

DRACULA Driving Deeper | Victorian Gender Roles

The‬‭ Victorian‬‭ era‬‭ spans‬‭ Queen‬‭ Victoria’s‬‭ 63-year‬‭ reign‬‭ over‬‭ Great‬‭ Britain‬‭ and‬‭ Ireland,‬‭ from‬‭ 1837‬ to‬‭ 1901.‬‭ During‬‭ this‬‭ time,‬‭ Britain‬‭ became‬‭ a‬‭ global‬‭ superpower,‬‭ expanding‬‭ its‬‭ empire‬‭ and‬ experiencing‬‭ rapid‬‭ progress‬‭ in‬‭ science,‬‭ industry‬‭ and‬‭ the‬‭ arts,‬‭ as‬‭ well‬‭ as‬‭ significant‬‭ political‬‭ and‬‭ social reforms that have shaped the modern world.‬

“During the Victorian period men and women’s roles became more sharply defined than at any time in history. In earlier centuries it had been usual for women to work alongside husbands and brothers in the family business. Living ‘over the shop’ made it easy for women to help out by serving customers or keeping accounts while also attending to their domestic duties.” - Kathryn Hughes, The British Library’s “Gender roles in the 19th century”

John  Ruskin,  an  English  writer  and  philosopher,  reveals  the  rigid  gender  roles  of  the  19th  century  Victorian  era were characterized  by  strict  stereotypes  that  disadvantaged  women.  This  period  was  defined  by  the  "separate  spheres"  ideology  that  relegated  men  to  the  public  sphere  of  work  and  economics,  consigning  women  to  domestic  roles,  reinforcing  male  dominance.  These  spheres  supported  by  Darwin’s  theory  of  "Survival  of  the  Fittest,"  placed  men  higher  on  the  evolutionary  ladder  and  impacted  all  societal  aspects,  including  employment,  where  only  a  third  of  women  worked  compared  to  two-thirds  by  1978.  For  the  upper-middle  class,  many  women  had  never  worked  outside  the  home.  Women  were  expected  to  live  up  to  the  image  of  ‘the  angel  in  the  house’,  to be the perfect wife and mother. 

The  early  feminist  movement  emerged  in  the  1850s,  advocating  for  equality  in  education,  work,  and  voting  rights  despite  these  limitations.  Figures  like  Queen  Victoria  opposed  these  efforts,  viewing  feminism  as  a  "wicked  folly"  offering  “God  created  men  and  women  differently—then  let  them  remain  each  in  their  own  position.”  Victorian-era  gender  stereotypes  persisted  well  into  the  20th century and continue to influence modern-day society.

Bowles’ Drawing Book for Ladies is a manual for drawing or embroidering flowers. Drawing and embroidery were part of a conventional female education in the 18th and 19th centuries.